Monthly Archives: October 2009

Green Zone trailer hits!

On March 12th, Matt Damon stars in The Green Zone, also known as The Bourne Operation Iraqi Freedom. In any case, it’s proof that you don’t need Marlon Wayans to make a good G.I. Joe movie.

NBC to Heroes: “Goodnight sweet prince.”

Sources at NBC have told sci-fi site Airlock Alpha that execs may be looking to put the kibosh on Heroes, maybe as early as the end of this season.

“There isn’t much happening with this show in terms of audience, and giving it a ‘final chapter’ feel is something the network is considering to help allow the show to go out with a bang,” said the source, who asked not to be identified.

While Heroes started out strong in its first season, its story has since turned into one giant clusterf**k and the show can never seem to decide exactly what it wants to do with itself. Is Sylar a good guy or a bad guy? Should we give Suresh mutant powers or not? Should everyone be able to swap powers so we can up the big explosion and cool factors? All important questions, but one thing is for sure: Future Hiro will comes back in time to tell someone that the world is in trouble…and only the Heroes can save it!

For now, you can file this under “Rumors.” You can also file it under, “It’s About Time.” “Everytime Ali Larter Tries Acting Sexy I Want To Punch Myself In The Privates,” would also be acceptable.

Things We Like #8: CSI

It’s not that I like it so much as I like to mock it. I think you get the idea.

CSIlol

Bad idea or worst idea?

This little tidbit comes from iesb.net.

Yes says the MarketSaw site most known for their AVATAR news. The site says they’ve been told by a trusted source that discussions to create a new STAR WARS trilogy in 3D are going on at the ranch.

They also say George Lucas will not be directing this time around and only producing as he did with Empire Strikes Back and Return of the Jedi. The site gives Steven Spielberg and Francis Ford Coppola as potential directors.

Alright, atheists. You win. There is no God.

The 2009 Austin Film Festival

This Thursday, I’ll be attending the 16th Annual Austin Film Festival here in…Austin, Texas. It’s eight days crammed full of movies, panels, roundtables, and parties, and I’ve definitely got a lot of my schedule. In between things, I’ll do my best to take pictures and give an idea of what’s going on for those you who weren’t able to make it down this year. Make sure to check back at the end of this week and throughout next week for updates, because it’s going to be film-tastic! (I am so sorry.)

“Let the wild rumpus start!”

Even though I had heard nothing but good things about this movie, I was still asking myself, “How much could I possibly enjoy it?” Well, as it turns out, I could enjoy it quite a bit. And I did enjoy it…quite a bit.

Where the Wild Things Are is about a boy named Max. He’s lonely. His mom loves him deeply, but finds herself busy with work and trying to have a normal relationship with her boyfriend. Max’s sister is growing up and has less and less time for him. When his mom invites her boyfriend over for dinner one night, she and Max get into a fight. When she sends Max to his room, he runs away. Alone in the woods, he finds a rowboat and sails off. After being tossed through a storm, Max spots an island. He sees fires burning in the distance. This is where the wild things are (clever, yes?). After introducing himself, the wild things quickly make Max their king. Together, Max and the wild things set off on a wild adventure.

It’s taken more than twenty years for Where the Wild Things Are to make it from the page to the screen, and I think that in the end, it was better that way. Sure, Disney could have rolled it out as one of their yearly animated features they used to do back in the day, but it really wouldn’t have done the story justice. Director Spike Jonze has kind of brought about a perfect storm. The acting, the music, the visual effects. You watch the movie and ask yourself what they possibly could have done to make the movie better.

Max, played by the aptly named Max Records, shows that even at such a young age, he’s got real depth as an actor, as most of onscreen time is spent with a group of animatronic robots. He portrays the deep loneliness felt by children at that nebulous age before they lose their innocence without being obvious or overt about it. Because Max’s mother, her boyfriend, and his sister spend so little time onscreen, you’re constantly drawn back to his performance. I thought it was fun to try and place the film’s voice actors. The one who I was most impressed with was James Gandolfini, who made me forget that I had spent years watching him cheat, kill, and steal on The Sopranos.

One of the most amazing things about the movie was the costume and set design. Jim Henson’s Creature Shop provided the animatronic Wild Things, and they look absolutely incredible. Really, what you’ve seen in the commercials is only a glimpse. This is why I think that only now could the filmmakers do the story justice. Before, costumes like these would only have looked ridiculous. I can’t wait to watch the making-of features I’m sure the DVD will be full of. The film’s soundtrack, put together by singer/songwriter Karen O is the perfect mix of upbeat and thoughtful, and sets the tone of the movie perfectly.

Aside from everything else, what I liked most about this movie is how good it makes you feel. It’s completely free of all the sex, drugs, and violence we see in so much of our media today, and it just felt good to sit back and bask in it for an hour and forty minutes. When it’s over, you walk out of it feeling like you’ve taken something away with you. Although he initially leaves his family behind, Max’s time with the wild things teaches him how much he really needs them. It’s a lesson the movie teaches without feeling preachy.

Although this is a kids’ movie, you’ll want to be careful about which kids you take to see it. I was actually surprised at how scary some of the sequences could be. Just remember, forewarned is forearmed. Taken as a whole, Where the Wild Things Are is the sort of movie that only comes along once in a long time. It’s a spot-on portrayal of the frustration and wonder felt by children, and a touching story of the difference love can make in our lives. It’s a beautiful film that families are really going to enjoy.

Christianity has never been so exciting.

If there’s one thing the Bible taught us, it’s that all you need to kill an angel is a cigarette lighter and a gas pump. And angels are scary. And even though they have wings and live in Heaven, they still need guns to get anything done. …I’m starting to think this movie might not make any effing sense. And why does Dennis Quaid get a poster? He looks like he did in Flight of the Phoenix. Well…anyway.

Check out more posters at joblo.com.

You’re busy.

This is what you’re doing tonight.

30rock

Transatlantic – The Whirlwind

Transatlantic definitely knows how to keep their fans waiting. On October 27th they’ll release The Whirlwind, their first album in eight years. Fans don’t have to worry. Even after such a long break, the band is back in full force, reminding us why we’ve spent the past eight years with our fingers crossed, hoping these guys would finally get back together.

If I had to describe the album in one vague, ambiguous word, it would be, “upbeat.” Transatlantic doesn’t exactly do dark stuff. And while “darker” rhythms (that may not be the right word — more like somber) do pop up in a few tracks, most of the album is the up-tempo stuff we know and love. Think Duel with the Devil and Stranger in Your Soul.

The Whirlwind is one giant, 77-minute long song, and writing an album like this obviously has its pros and cons. Pros. It’s 77 minutes long! The album is constructed around a handful of major themes, and it’s interesting to see how those themes come back at different points in the music. We get everything we love and have come to expect from these guys. The melodic guitar and the playful keyboard riffs. The jazz rhythms and the hard rock. And while you can hear the influence of groups like Pink Floyd and the Beatles, the band has done a better job of incorporating those styles into their own music. The result is a richer, more mature sound.

Cons (?). If you’re a fan of Neal Morse’s solo albums, you know his music is very similar to Transatlantic, and I’m not really sure who influences who more. If I had to make comparisons, I would liken The Whirlwind to Lifeline, rather than Morse’s other albums, like Testimony or One. And while Morse has long since left the prog rock scene to pursue his career as a Christian singer, the church-centric lyrics are tamped down here. Notice I say “tamped down” and not “gone altogether.” It’s never bothered me that much. Other people feel differently. It’s all a matter of taste. I’m not sure that any of this stuff really counts as a complaint. Transatlantic has really delivered another solid album. And after such a long absence, that’s what fans are going to want. They don’t want something that’s been taken in an entirely new direction. They want to be reminded why they fell in love with these guys in the first place. Those people won’t be disappointed.

Just a short note about the album’s length. It is 77 minutes long. The promo copy I got had the entire album split up into twelve tracks, which personally, I like. But I’ve heard that the retail version will have the entire thing as one, giant song. If that’s the case, fast-forwarding through to your favorite parts is going to get really old really fast. Some people just aren’t going to like that. My copy only included the first disc, so I can’t speak as to what the special edition will offer. But if it’s anything like disc one, it’ll be some good listening.

At first, it took me a while to get into these guys. I picked up their first album back in 2000, gave it a spin and said, “Well that’s not for me.” I put it away and didn’t pick it up again for a few years. I gave it another spin and suddenly, I loved it. It was like turning on a switch. If you’re like me and these guys don’t immediately grab you on the first try, stick with them. You won’t be sorry.

The Whirlwind can be ordered at amazon.com. You can buy more Transatlantic albums (including the Whirlwind deluxe editions) over at Radiant Records.


Moses is back. And he’s pissed off.

It looks like Moses is finally heading back to the big screen, and 53 years after The Ten Commandments was released, he’s ready to kick all sorts of ass. A new script is being penned by the writing team that brought us the critically-acclaimed Accepted, and aims to put a Braveheart-esque spin on things by telling the story of the Hebrews’ struggle for Scottish independence.

From Variety.