Tag Archives: Mickey Rourke

“There will be blood in the water.”

When did we begin demanding so much from our comic book movies? I think one of the major complaints when books are adapted for the big screen is that they aren’t always faithful to the source material. But because so many comic books — especially the ones they’ve been turning into movies lately — are so unrealistic, when they are faithfully adapted we see them as over the top. Even The Dark Knight, which is probably the best comic book ever made, couldn’t help from doing this when Batman started using that weird dolphin-vision sonar weapon toward the end.

The Dark Knight is actually a good movie to compare Iron Man to. Sonar vision aside, The Dark Knight is probably the grittiest, most realistic (think real-world) portrayal of a superhero we’ve seen on film. Iron Man doesn’t live up to that level of realism, although it’s still a very, very good movie. So which one do we want? Would we rather have realistic, believable characters who could fit into the real world, or would we rather they were faithful to the comic books, over the top though they may be? Are the two mutually exclusive? Do we even need to choose between the two? Given the success of both The Dark Knight and Iron Man, probably not.

Still, after seeing clips of Tony Stark and his crazy briefcase armor and Minority Report computers, I tried to temper my expectations for the second film. Because the first one was so good, I didn’t think there was really any way Iron Man 2 could match it. And you know what? It didn’t. But it came really, really close. I don’t know if it was because the movie is really trying to advance the Avengers part of the Iron Man story, but such a large cast and so many big characters could really have screwed this thing up (Don’t believe me? Go watch Spiderman 3).

But the cast really worked in the movie’s favor, and looking back on it, almost gave us two movies at once. Sure, there are plenty of bad guys for Iron Man to fight, but at the same time Tony Stark is forced to confront the fact that his egotism may preclude him from joining Nick Fury’s team, although most would argue that the point is ultimately lost on him. But you don’t really realize how much movie you’ve just watched until the whole thing is over.

And again, Robert Downey Jr. steals the show. Seriously, can you imagine anyone else in this role? I have a feeling that if Tony Stark were a real person, we’d all be amazed by his iron men, but we’d all call him an asshole behind his back. Mostly because he was rich and slept with all of our girlfriends. But we’d still hang out with him, you know…if he ever wanted to hang. Anyway, the only real weak spot in the movie was Scarlett Johansson, and that’s only when compared to everyone else. I don’t know, there was just something a little boxy about her that I don’t usually see in her other films. But wait. What was that? She’s Scarlett Johansson? You make an interesting point. All is forgiven.

Many of you probably know that Nick Fury makes another appearance in the film. Actually, Samuel L. Jackson’s portrayal of the S.H.I.E.L.D. director is a perfect example of how a realistic depiction of the man can help overcome the character’s sometimes-unbelievable superhero trappings. When he popped up at the end of the first movie and said, “I’d like to talk to you about the Avenger Initiative,” I saw visions of Mace Windu all over again (the horror). With more than ten seconds to work with, he was able to flesh the character out a little bit. I was surprised at how much he sounded like Jules Winfield, and I can guarantee that if Iron Man had been given an R rating, we would have heard an f-bomb or ten.

There are a few things keeping Iron Man 2 from being as good as the first film. For one, I think the filmmakers were a little too eager to introduce War Machine into the mix, and the entire thing ends up feelings a bit shoehorned. Although I will say that I much prefer Don Cheadle to Terrance Howard. Also, for a movie in which Mickey Rourke is clearly the bad guy, I thought he really got short shrift there in the end. In all fairness, there was a lot there to make up for it, including Sam Rockwell — who in a bold move for an actor has foregone making bad films — and Scarlett Johannson in a catsuit.

While almost everyone will probably come out of this movie thinking that the first one was better, I think most of those people are going to be very happy with what director Jon Favreau has given us, and with Thor and Captain America on the horizon, we’ll only look forward to Iron Man 3 (not to mention The Avengers) with more and more anticipation. Oh, yeah. Whatever you do, stay after the credits.

I am Iron Man. 2.

Here’s the new trailer for Scarlett Johansson’s latest, Iron Man 2. Wait. She wasn’t in the first one? What the hell was I watching?

I am Iron Man. Two.

It’s finally here! As expected, Iron Man 2 looks both bigger and badder than its predecessor. I can’t believe how awesome these special effects are. Did you see how weird and out-of-proportion Mickey Rourke’s face looks? Wait. What?

Iron Man + War Machine = spoiler alert

Alright. Thanksgiving’s over, so let’s cut the crap. The first teaser poster for the beloved Iron Man 2 has just hit, so get your wallets ready, because when this one comes out you’re going to want to throw all sorts of money at it.


Iron Man 2 Comic Con footage teh l33ked!!1!

Get your fill because this might not last long.

The 2009 Oscar Winners

Here’s something you won’t find anywhere else, the winners from last night’s Academy Awards! But first, a couple of our favorite moments from the show. Enjoy!

Now, the winners…

BEST PICTURE:
The Curious Case of Benjamin Button (Paramount and Warner Bros.), A Kennedy/Marshall Production, Kathleen Kennedy, Frank Marshall and Ceán Chaffin, Producers
Frost/Nixon (Universal), A Universal Pictures, Imagine Entertainment and Working Title Production,Brian Grazer, Ron Howard and Eric Fellner, Producers
Milk (Focus Features), A Groundswell and Jinks/Cohen Company Production, Dan Jinks and Bruce Cohen, Producers
The Reader (The Weinstein Company), A Mirage Enterprises and Neunte Babelsberg Film GmbH Production, Nominees to be determined
Slumdog Millionaire (Fox Searchlight), A Celador Films Production,Christian Colson, Producer

DIRECTING:
The Curious Case of Benjamin Button (Paramount and Warner Bros.), David Fincher
Frost/Nixon (Universal), Ron Howard
Milk (Focus Features), Gus Van Sant
The Reader (The Weinstein Company), Stephen Daldry
Slumdog Millionaire (Fox Searchlight), Danny Boyle

ACTOR IN A LEADING ROLE:
Richard Jenkins – The Visitor (Overture Films)
Frank Langella – Frost/Nixon (Universal)
Sean Penn – Milk (Focus Features)
Brad Pitt – The Curious Case of Benjamin Button (Paramount and Warner Bros.)
Mickey Rourke – The Wrestler (Fox Searchlight)

ACTRESS IN A LEADING ROLE:
Anne Hathaway – Rachel Getting Married (Sony Pictures Classics)
Angelina Jolie – Changeling (Universal)
Melissa Leo – Frozen River (Sony Pictures Classics)
Meryl Streep – Doubt (Miramax)
Kate Winslet – The Reader (The Weinstein Company)

ACTOR IN A SUPPORTING ROLE:
Josh Brolin – Milk (Focus Features)
Robert Downey Jr. – Tropic Thunder (DreamWorks, Distributed by DreamWorks/Paramount)
Philip Seymour Hoffman – Doubt (Miramax)
Heath Ledger – The Dark Knight (Warner Bros.)
Michael Shannon – Revolutionary Road (DreamWorks, Distributed by Paramount Vantage)

ACTRESS IN A SUPPORTING ROLE:
Amy Adams – Doubt (Miramax)
Penélope Cruz – Vicky Cristina Barcelona (The Weinstein Company)
Viola Davis – Doubt (Miramax)
Taraji P. Henson – The Curious Case of Benjamin Button (Paramount and Warner Bros.)
Marisa Tomei – The Wrestler (Fox Searchlight)

ADAPTED SCREENPLAY:
The Curious Case of Benjamin Button (Paramount and Warner Bros.), Screenplay by Eric Roth, Screen story by Eric Roth and Robin Swicord
Doubt (Miramax), Written by John Patrick Shanley
Frost/Nixon (Universal), Screenplay by Peter Morgan
The Reader (The Weinstein Company), Screenplay by David Hare
Slumdog Millionaire (Fox Searchlight), Screenplay by Simon Beaufoy

ORIGINAL SCREENPLAY:
Frozen River (Sony Pictures Classics), Written by Courtney Hunt
Happy-Go-Lucky (Miramax), Written by Mike Leigh
In Bruges (Focus Features), Written by Martin McDonagh
Milk (Focus Features), Written by Dustin Lance Black
WALL-E (Walt Disney), Screenplay by Andrew Stanton, Jim Reardon, Original story by Andrew Stanton, Pete Docter

FOREIGN LANGUAGE FILM:
The Baader Meinhof Complex A Constantin Film Production, Germany
The Class (Sony Pictures Classics), A Haut et Court Production, France
Departures (Regent Releasing), A Departures Film Partners Production, Japan
Revanche (Janus Films), A Prisma Film/Fernseh Production, Austria
Waltz with Bashir (Sony Pictures Classics), A Bridgit Folman Film Gang Production, Israel

ANIMATED FEATURE FILM:
Bolt (Walt Disney), Chris Williams and Byron Howard
Kung Fu Panda (DreamWorks Animation, Distributed by Paramount), John Stevenson and Mark Osborne
WALL-E (Walt Disney), Andrew Stanton

ART DIRECTION:
Changeling (Universal), Art Direction: James J. Murakami, Set Decoration: Gary Fettis
The Curious Case of Benjamin Button (Paramount and Warner Bros.), Art Direction: Donald Graham Burt, Set Decoration: Victor J. Zolfo
The Dark Knight (Warner Bros.), Art Direction: Nathan Crowley, Set Decoration: Peter Lando
The Duchess (Paramount Vantage, Pathé and BBC Films), Art Direction: Michael Carlin, Set Decoration: Rebecca Alleway
Revolutionary Road (DreamWorks, Distributed by Paramount Vantage), Art Direction: Kristi Zea, Set Decoration: Debra Schutt

CINEMATOGRAPHY:
Changeling (Universal), Tom Stern
The Curious Case of Benjamin Button (Paramount and Warner Bros.), Claudio Miranda
The Dark Knight (Warner Bros.), Wally Pfister
The Reader (The Weinstein Company), Chris Menges and Roger Deakins
Slumdog Millionaire (Fox Searchlight), Anthony Dod Mantle

COSTUME DESIGN:
Australia (20th Century Fox), Catherine Martin
The Curious Case of Benjamin Button (Paramount and Warner Bros.), Jacqueline West
The Duchess (Paramount Vantage, Pathé and BBC Films), Michael O’Connor
Milk (Focus Features), Danny Glicker
Revolutionary Road (DreamWorks, Distributed by Paramount Vantage), Albert Wolsky

DOCUMENTARY FEATURE:
The Betrayal (Nerakhoon) (Cinema Guild), A Pandinlao Films Production, Ellen Kuras and Thavisouk Phrasavath
Encounters at the End of the World (THINKFilm and Image Entertainment), A Creative Differences Production, Werner Herzog and Henry Kaiser
The Garden A Black Valley Films Production, Scott Hamilton Kennedy
Man on Wire (Magnolia Pictures), A Wall to Wall Production, James Marsh and Simon Chinn
Trouble the Water (Zeitgeist Films), An Elsewhere Films Production, Tia Lessin and Carl Deal

FILM EDITING:
The Curious Case of Benjamin Button (Paramount and Warner Bros.), Kirk Baxter and Angus Wall
The Dark Knight (Warner Bros.), Lee Smith
Frost/Nixon (Universal), Mike Hill and Dan Hanley
Milk (Focus Features), Elliot Graham
Slumdog Millionaire (Fox Searchlight), Chris Dickens

MAKEUP:
The Curious Case of Benjamin Button (Paramount and Warner Bros.), Greg Cannom
The Dark Knight (Warner Bros.), John Caglione, Jr. and Conor O’Sullivan
Hellboy II: The Golden Army (Universal), Mike Elizalde and Thom Floutz

ORIGINAL SCORE:
The Curious Case of Benjamin Button (Paramount and Warner Bros.), Alexandre Desplat
Defiance (Paramount Vantage), James Newton Howard
Milk (Focus Features), Danny Elfman
Slumdog Millionaire (Fox Searchlight), A.R. Rahman
WALL-E (Walt Disney), Thomas Newman

ORIGINAL SONG:
“Down to Earth” from WALL-E (Walt Disney), Music by Peter Gabriel and Thomas Newman, Lyric by Peter Gabriel
“Jai Ho” from Slumdog Millionaire (Fox Searchlight), Music by A.R. Rahman, Lyric by Gulzar
“O Saya” from Slumdog Millionaire (Fox Searchlight), Music and Lyric by A.R. Rahman and Maya Arulpragasam

SOUND MIXING:
The Curious Case of Benjamin Button (Paramount and Warner Bros.), David Parker, Michael Semanick, Ren Klyce and Mark Weingarten
The Dark Knight (Warner Bros.), Lora Hirschberg, Gary Rizzo and Ed Novick
Slumdog Millionaire (Fox Searchlight), Ian Tapp, Richard Pryke and Resul Pookutty
WALL-E (Walt Disney),Tom Myers, Michael Semanick and Ben Burtt
Wanted (Universal), Chris Jenkins, Frank A. Montaño and Petr Forejt

SOUND EDITING:
The Dark Knight (Warner Bros.), Richard King
Iron Man (Paramount and Marvel Entertainment), Frank Eulner and Christopher Boyes
Slumdog Millionaire (Fox Searchlight), Tom Sayers
WALL-E (Walt Disney), Ben Burtt and Matthew Wood
Wanted (Universal),Wylie Stateman

VISUAL EFFECTS:
The Curious Case of Benjamin Button (Paramount and Warner Bros.), Eric Barba, Steve Preeg, Burt Dalton and Craig Barron
The Dark Knight (Warner Bros.), Nick Davis, Chris Corbould, Tim Webber and Paul Franklin
Iron Man (Paramount and Marvel Entertainment), John Nelson, Ben Snow, Dan Sudick and Shane Mahan

DOCUMENTARY SHORT:
The Conscience of Nhem En A Farallon Films Production, Steven Okazaki
The Final Inch A Vermilion Films Production, Irene Taylor Brodsky and Tom Grant
Smile Pinki A Principe Production, Megan Mylan
The Witness – From the Balcony of Room 306 A Rock Paper Scissors Production, Adam Pertofsky and Margaret Hyde

ANIMATED SHORT FILM:
La Maison en Petits Cubes A Robot Communications Production, Kunio Kato
Lavatory – Lovestory A Melnitsa Animation Studio and CTB Film Company Production, Konstantin Bronzit
Oktapodi (Talantis Films) A Gobelins, L’école de l’image Production, Emud Mokhberi and Thierry Marchand
Presto (Walt Disney) A Pixar Animation Studios Production, Doug Sweetland
This Way Up A Nexus Production, Alan Smith and Adam Foulkes

LIVE ACTION SHORT FILM:
Auf der Strecke (On the Line) (Hamburg Shortfilmagency), An Academy of Media Arts Cologne Production, Reto Caffi
Manon on the Asphalt (La Luna Productions), A La Luna Production, Elizabeth Marre and Olivier Pont
New Boy (Network Ireland Television), A Zanzibar Films Production, Steph Green and Tamara Anghie
The Pig An M & M Production, Tivi Magnusson and Dorte Høgh
Spielzeugland (Toyland) A Mephisto Film Production, Jochen Alexander Freydank

TRAILER MONDAY

It’s Monday, so check out this thing.

First up, the teaser for Marcus Nispel’s remake of Friday the 13th, due out next year. Nispel’s taking the franchise in a bold new direction. Instead of the same old, monolithic killer who staggers out of the woods and kills unsuspecting camp–oh… wait…

Darren Aronofsky’s The Wrestler will be released on December 17th. You have to give Aronofsky props. With Pi, Requiem for a Dream, The Fountain, and now The Wrestler, he’s not afraid to take his movies in radically different directions. You also have to give props to Mickey Rourke. With every movie he makes, he takes his face in only one direction: ugly. Seriously, he looks like something my grandpa whittled.

Now, this next one is a delight. Next year, FOX Searchlight is releasing a film documenting the life of a famous East Coast rapper who was gunned-down in the prime of his life. Who? If you guessed Grand Master Theodore, you’re wrong, because he’s still alive, and not a rapper. The correct answer is The Notorious B.I.G. What really excites me about Notorious is how incredibly awful it’s going to be, or perhaps notoriously awful? HI-YO!

5 Things We Love About Movies With Guns – Man On Fire

It’s a rare case when we get a movie that was more interesting than the book it was based off of, but that’s exactly what we got with…

Denzel Washington is a washed-up soldier. Dakota Fanning is the little girl that finally forces her way… into his heart. Along the way, lots of people get killed. Let’s take a look!

1. Mexico City.

Maybe Mexico City doesn’t belong on a list of things we love, because it’s obviously the most dangerous city in the entire world (well, maybe behind Bahgdad. MAYBE.). You go outside, you get kidnapped. And probably have your ear cut off. After your parents are robbed of millions of dollars, you’re dumped in your underwear off the Av Insurgentes Nte. Which obviously is pretty horrible. It’s a pretty picture though.

2. Christopher Walken.

“Listen. Creasy. I live heah. In Mexico. I lihve. Like a king. Ovah heah. And. No. I hahve no ideah. If Gawd. Will fuhgive us. For waht. We’ve done. Heah. Hahve some ribs.”

I love Christopher Walken. And what’s not to love? This guy does nothing but hang out, eat barbecue and read off of cue cards.

3. Putting a punk in his place.

“I’m going to tear your family apart piece by piece! YOU UNDERSTAND ME?” Coolest line in the whole movie.

Maybe it’s a good thing the picture is a little blurry. Good guys spend plenty of time getting knocked around by the bad guys, while we in the audience can do little more than cringe and wish it weren’t so. Not in this movie. Creasy has a thing for tearing off people’s fingers, whether it be with a knife, or a sawed-off shotgun, as with this poor bastard.

4. Sticking a big ole’ suppository bomb up someone’s ass.

Not only did Creasy blow up the guy’s motorcade with a bazooka, he strapped him to the hood of a car in his underwear with a bomb up his butt. And then, when he tried the whole, “Leesten Senior Creesy, I am jus’ a profesional. I am sorry about ‘de leedle gurl,” Denzel roasted him. Fantastic.

5. Sacrificing yourself for the little girl.

He shot everybody’s hands off, and still got Dakota Fanning back. Of course, he had to trade himself to save her, but she’s worth it. And in the end, it didn’t matter. He had already been shot and was half dead anyway. So, just when the bad guys think they’re gonna go to work on him, they look, and he’s slumped over in his seat. It’s the ultimate f*** you! Linda Ronstadt’s Blue Bayou plays us out.

That’s all for this week. Until next time! Send suggestions to fuggidup@yahoo.com.