Tag Archives: Zombieland

The Year End Review: Movies

There was no one movie that grabbed me the way There Will Be Blood or The Departed did a couple of years ago, but still, there were a lot of standouts this year. After much hemming and hawing, I’ve narrowed it down to my Top 3.

The Messenger

This one kind of snuck up on me. I was setting myself up to watch Ben Foster and Woody Harrelson as U.S. Army Casualty Notification Officers go head to head the entire film, and was surprised at the friendship that developed between the two. There’s a whole subplot with Foster dating the wife of a dead soldier, but you keep watching for the scenes between Foster and Harrelson.

The Road

I don’t think it’s necessarily difficult for a film to provoke an emotional reaction. Even if that reaction is mild revulsion or annoyance (cough, Juno, cough), it’s still an emotion. But provoking a reaction as strong as The Road did doesn’t happen very often. Definitely one of the strongest films this year. Not recommended for those suffering from depression.

Inglourious Basterds

Quentin Tarantino’s all grown up now. His long-awaited World War II epic delivered on every level it could. You had the over-the-top characters, the long-winded soliloquies, and all the violence you expect from a Tarantino movie, yet much more refined. Behind Pulp Fiction, this is the best movie Tarantino’s ever made, which made me very happy. Because after waiting for this movie since I was in high school, I think I would have broken down and cried if it had been a flop.

Honorable mentions go to…

Bronson
District 9
The Hurt Locker
Moon
Star Trek
Up in the Air
Zombieland

“Nut up or shut up.”

I’ve got a short Zombieland review and a long Zombieland review. The short review: Go see Zombieland. Go tonight. Hell, go right now. Not convinced? Read on for the long review.

Zombie movies have a long, proud, history. It stretches from the shambling, not-so-scary zombies of Dawn of the Dead (1978), to the running, scary-as-f**k zombies of Dawn of the Dead (2004). Of course, it’s valid to look at the majority of zombie fare out there and say, “Not much variety here.” Zombieland is one of a few movies that have come along and helped mix things up.

The movie is set in – as Colombus calls it – the United States of Zombieland, after a zombie virus has killed off most of civilization. Colombus (Jesse Eisenberg) is heading to Colombus, Ohio (do you get the name now?) to find his family. Along the way he meets Tallahassee (Woody Harrelson), a badass country boy who takes his rage and frustration out on the movie’s hoards of undead. Eventually they come across sisters Wichita (Emma Stone) and Little Rock (Abigail Breslin), who when they first meet take them for their car and supplies. Eventually they come together and head for Pacific Playland, a west coast amusement park which is still zombie-free.

I had been watching the movie for about five minutes before asking, “Is Jesse Eisenberg supposed to be playing Michael Cera?” Eisenberg as the stammering Colombus isn’t exactly mind-blowing, but watching him together with Woody Harrelson is comedy gold. The chemistry between the two characters almost makes the movie. And while Colombus’ relationship with bad girl Wichita is central to the character’s development, you’re always drawn back to his scenes with Tallahassee. And speaking of the cast, there’s a fantastic cameo in here that I won’t spoil for anyone. Let me just say that it’s probably one of the most brilliant things about the movie, and if Eisenberg and Harrelson weren’t doing enough for you, there’s no doubt this guy will.

The small glimpses we catch of the zombie apocalypse aren’t very realistic. We miss a lot of the large-scale destruction and zombie mobs, but it fits the movie fine. And there’s still plenty of violence and gore for those who are expecting it. But while other films may give you a sense of the trauma and destruction the world has gone through, that’s not what Zombieland is about. It’s about these four characters, their relationships with each other, and the things they do to help each other survive. They each build the group up, and rely on the group to do the same for them. The family dynamic between them is the most believable I’ve ever seen in a movie like this.

When you watch other zombie movies you realize that half, if not all, of the cast is there only to be killed off later on. You always find yourself asking, “Are they gonna survive?” That was never a question for me. Everyone is playing a bigger role here, and as a result, you find yourself caring about them more than characters from anything Romero ever did. Shaun of the Dead headed in this same direction, although I think Zombieland did a better job of pulling it off.

The movie’s runtime is a little short – it clocks in at just under 90 minutes – but I didn’t walk out feeling shortchanged. This is a little comedy that delivers in a big way. The movie’s outrageousness is presented so that you never feel like anything is over the top or cliched. You connect with the characters, and although the landscape is bleak, the movie leaves you feeling hopeful. And it’s the funniest damn thing I’ve seen all year. As for whether or not you should check this one out in the theaters, refer back to my short review.

And holy hell, that cameo was awesome.

TRAILER MONDAY

People got their first glimpse of James Cameron’s Avatar at this year’s Comic Con, and people are already complaining that the movie’s aliens and giant robots don’t look real. The question we’re asking is, why is James Cameron putting aliens and giant robots in a live action remake of Once Upon a Forest?

The teaser trailer for Christopher Nolan’s Inception isn’t giving anything about the movie away. I can give you a hint, though. The working title for the film was The Sweaty and Disturbed-Looking Leonardo DiCaprio. Discuss.

If you ask me, it’s about time they made a movie about underage girls falling in love and having crazy sex with zombies. Enough with all of this vampire crap, you know? Wait, there’s nothing like that in Zombieland? Amusement parks? Right. Amusement parks… Wasn’t Sunday’s True Blood great?