Tag Archives: Josh Brolin

“I can do nothing for you, son.”

I feel like the Coen Brothers making great movies is one of the few constants in my life. That, along with death (although I’m not throwing in the towel on that one), taxes, and vacation constipation. Sure, every now and then they throw a Burn After Reading at us. But they make up for it with a Big Lebowski, a Fargo, and a No Country for Old Men. Yes, what a time to be alive.

And before you ask, you can go ahead and add True Grit to the pantheon of Coen favorites. As the last film I’ll see at the movies in 2010, it more than made up for the bitter disappointments the year opened with, with films like Daybreakers and Legion kicking me in the balls and leaving me curled in the fetal position.

The film — the second adaptation of the 1968 Charles Portis novel — is narrated by Mattie Ross, a 14-year old girl whose father was murdered at the hands of outlaw Tom Chaney. After some questioning around town, Mattie seeks out Rooster Cogburn, whom she believes possesses the titular true grit to track Chaney down and bring him to justice. Accompanying them on their trek is Texas Ranger La Boeuf, who’s after Chaney for separate crimes. Together, the three learns lessons about each other, life and each other.

Those of you going into the theater expecting another No Country may be a little disappointed, as True Grit is a much more straight up western than that previous film, but at the same time it’s no less good. It’s superbly acted all around, which should come as no surprise. Tron notwithstanding, since when does Jeff Bridges not bring a healthy dose of badassery to the roles he plays? Matt Damon was a big surprise here. His portrayal of La Boeuf seemed to be one part Jason Bourne, two parts Mark Whitacre and Linus Caldwell. What was so great about it was that it was funny without trying to be funny. And oh, how wrong things could have gone there. I mean, how tired are we of the snarky sidekick who’s only snarky to be snarky?

But the real showstopper here is Hailee Steinfeld, who plays Mattie Ross. She’s come out of obscurity and proven in just two short hours how capable she is of rolling with the big dogs. Now, if you’re asking who Hailee Steinfeld is, I don’t imagine you’re much different from the rest of the world, and that’s including her parents. But fear not, because you’re probably going to be hearing her name much more in the future.

True Grit is definitely one of those the-journey-is-more-important-than-the-destination films. The relationship between Mattie, Cogburn and La Beouf and how it develops is what keeps you glued to the screen. The actual resolution to their journey, the reason they’ve all banded together in the first place is over so quickly you daren’t (DAREN’T!) blink for fear of missing it. And once it’s all over, the film peters out a bit, with its coda feeling more like a, “Well, we sure had some fun, eh?” than anything that really adds to the story. I’ve never read the book, so I couldn’t say how faithful this is to that, although I’ve heard that the film as a whole toes the line pretty close.

I really liked this one. The chemistry (as we say in the hard sciences) between the leads is more than enough to make up for whatever small shortcomings the story has. And at two hours, the whole thing goes by pretty fast. As westerns go, this is probably one of the purest we’re going to see in a while, which is a credit to the Coen Brothers and the tone they’re able to set in their films. Tickets cost about, what? $30 apiece now? Go out and spend it. It’s completely worth it.


“You can’t stop what’s coming.”

I’ve been looking forward to this from the moment a friend of mine brought up the R-rated trailer and said, “You’ve gotta check this out,” and was finally able to see it tonight. Although we all walked out of The Ladykillers thinking “WTF?”, the Coen Bros. have come back with a movie as strong, if not stronger than Fargo and The Big Lebowski. If you read the book and liked it, you’ll love the movie. The entire thing has been very faithfully adapted, and seeing it all presented visually helps to clear up a few plot points that are a little confusing in the book. The story, boiled down, is this: Texas good ol’ boy Llewlyn Moss (played by Josh Brolin, of Goonies fame) runs across a group of dead Mexican drug runners, a truck full of heroine and two million dollars. Of course, he takes the money and runs and is soon after on the run from law enforcement and hitmen both.

Rounding out the trio are Sheriff Ed Tom Bell (Tommy-Lee Jones) and Anton Chigurh (Javier Bardem). Bell, a WWII vet and local sheriff waxes philosophic on the ever-increasing evil in the world and whether or not it’s something we can really prepare against. Chigurh – who should be your favorite part of the movie – is a killer charged with reclaiming the lost two million. The action here reaches a boiling point that climaxes in an ending you truly aren’t expecting. And ultimately, that’s what you’ll love or hate about the film. This is one of those movies where half the audience walks out pissed off. If you hate it, you’ll agree with those people. If you love it, then screw them and everyone else who can’t appreciate good art. But seriously, if you’re among those who hate it, then you really can’t appreciate good art. This movie has something for everyone (enough deep-thinking for the emo kid and enough action for the big, dumb American – in all of us) and easily makes it into my top three of the year, right alongside The Assassination of Jesse James and an as-yet-unclaimed third spot (because seriously, has 2007 been THAT great a year for movies?). A+