Tag Archives: Mila Kunis

“Watch the way she moves.”

For all of its weirdness, I really liked the The Fountain. And even though I’m still trying to wash off the ick after seeing Requiem for a Dream, I recognize it as a piece of art. Both of those films are really over the top in their own ways, so when I settled in to Black Swan, I have to say I was expecting something similar.

For those of you not in the know, the film follows Natalie Portman, a dancer in a NYC ballet company, who’s trying to get the lead role in an upcoming production of Swan Lake. Her director, played by Vincent Cassel (also known as the Night Fox), thinks she’d make a great White Swan, but is worried she lacks the raw sensuality and abandon to play the titular Black Swan. Portman, much like an actual ballet dancer, is slowly going bats**t crazy preparing for the role, with her transformation having surprising and unexpected results.

Darren Aronofsky is a man who knows his business, so I won’t say that after several years he’s learned to reign in and refine his style. Still, I found Black Swan to be somewhat understated, but only in comparison to his other films. Even when Portman is in the depths of her insanity, we’re only given a taste of her madness before the film pulls away and snaps us back to reality.

Still, Aronofsky returns with many of his usual tricks. Throughout the film, we’re given several closeup shots of dancers cracking knuckles, stretching, warming up. These are all accompanied by über loud and bassy sound effects, and really show how the body can be used as a tool, a piece of hardware.

While there are a lot of faces on the screen, the story is told principally through Portman, Kunis and Cassel. And even then, Kunis and Cassel only serve in auxiliary roles, one pushing while the other pulls Portman into a transcendent level of commitment to the role she’s trying for. After her time on ‘That 70s Show’ and ‘Family Guy,’ Kunis will probably be forever written off. I wouldn’t go that far. She can act, but for the most part this film doesn’t really give her anywhere to go. She’s a party girl, trying to get Portman to loosen up and live a little, which she does in one scene that’s guaranteed to have indignant girlfriends/wives walking out of theaters all over the country. And for those of you wondering about that, Aronofsky uses a few clever camera angles so that there’s never any actual nudity in the film. The film could probably have done without it, but it serves its purpose and isn’t dwelled upon. So…*cough.* What was I saying?

The entire film is psychologically tense, and that’s due entirely to Portman’s performance. You feel like you’re stretched taught throughout the entire thing, and never really let go of until the credits start to roll. Her character is so nervous and timid, and never quite figures out how to react to what’s happening to her.

Black Swan wasn’t the blowout I was expecting walking into the theater, but it may be the most solid film I’ve seen all year, and probably Natalie Portman’s best. She’s definitely done her part to make up for those horrible Star Wars prequels. So that’s good. I have a feeling this is the one that’ll go up against The Social Network at the Oscars next year, but will be handily beaten when James Cameron brings Avatar back, because there’s no stopping that bastard.


“It’s not a book, it’s a weapon!”

After suffering through the train wreck that is Daybreakers last week, I really needed The Book of Eli to be a good movie. There were times when I thought I was going to be disappointed, times I thought the movie was spinning off into the typical action flick, times I thought the filmmakers were being a little too obvious in getting their message across. But as the movie ended, the credits rolled, and the lights came back up, I was kicked out of the theater because they were trying to clean it. But as I stood outside in the rain, waiting for my mother to pick me up, I realized that overall, I really liked it.

The movie wasn’t perfect, and certain things taken by themselves really weren’t perfect. But for some reason, when taken all together, the movie just clicked for me and the stuff that I didn’t much care for didn’t matter (not too much, anyway). But this is the internet, and I wouldn’t be doing my job if I didn’t take those few things I didn’t like about the film and rip them apart for the three or four of you who read this blog.

I felt like The Book of Eli started off as a really cool way to end a movie, but in the rush to get there the filmmakers didn’t put as much thought as they should have into how they did it. After the commercials they’ve been showing, I don’t think I’m spoiling anything for anyone when I say that Eli’s book (otherwise known as the book of Eli) is actually a King James Bible. And so far as Eli knows, the last King James Bible in existence. Now, I can buy that Eli has made it his mission to protect it. Can I buy that this is the last Bible left in the entire world? Not really. And why is Gary Oldman so desperate to get it? Because he wants to bring back religion as a way to control the people around him. But hasn’t it only been 30 years since the war that brought civilization down? I’m betting that there are a lot of people around now who were around then. Has everyone really forgotten all about God and the Bible? And what’s stopping Gary Oldman from just making up his own religion? Why couldn’t he use the Torah or the Qu’ran? When you dive into it, these sorts of questions really start to pile up. The movie doesn’t make any real attempt to answer them, so you’ll either just go with it or you won’t.

There’s a piece of me deep down inside that knows how badly action scenes can screw up a movie. But still, I loves me some action. So when Denzel Washington tells the dirty road warrior guy that if he puts his hand on him one more time he’s not getting it back, I really want the dirty road warrior guy to see how committed Denzel Washington is to that premise. I wasn’t disappointed. Still, the movie knew how to keep the action balanced with actual storytelling. When, near the end, it seems as if both sides might be heading toward one last battle royal, it dialed things back and delivered an ending that I truly wasn’t expecting. It’s an ending that might leave some people scratching their heads and certainly requires a small suspension of disbelief, but I thought it worked. A large part of that was due to the cast.

I felt Denzel Washington was a perfect fit for the movie. He exudes just enough badassery to suck you into the action, but never comes across as an action movie cliche. Gary Oldman was another story. I think he’s a great actor, but the movie never really used him the way it should have. He plays basically the same role he did in The Fifth Element, sans the funny hair and cool guns. Putting Gary Oldman into what amounts to little more than the stereotypical villian role really sucked the Gary Oldman out of Gary Oldman, if you smell what I’m cooking. Mila Kunis doesn’t exactly shine here, but after her performance I feel like I’m ready to accept her as a credible actress. I figure that if I can watch her onscreen for two hours and not keep thinking, “Oh yeah. It’s Meg from Family Guy,” then she must be doing her job.

I was a little surprised at the themes of Christianity and the evils of it the movie was attempting to explore. Some are saying that these are obvious from the film’s commercials, but I just didn’t see it. I won’t go too deep into it here, but felt that while the filmmakers used Gary Oldman’s character to illustrate the evils to which organized religion can be used for, it also presented a counterpoint in the character of Eli. I think that in the end, both Christians and non-Christians are going to walk away from this movie thinking that it belongs to them. And I take that as a good thing. I think it’s a sign that the filmmakers were able to make their movie without being too heavy-handed in the message they were trying to get across. Although it definitely lacks in some areas, The Book of Eli delivers some good performances with a genuinely entertaining story. And unlike other movies that touch on similar themes, I think there’s a chance this movie might hold up better to repeat viewings. B-


Some Trailer Monday to go with your Tuesday? Let’s do it.

Moon stars Sam Rockwell as the sole custodian of a lunar mining station. It looks like someone beat me to the punch when I thought, “How about Castaway, in space!” My next project, “Castaway, with hookers!” It’s called Hooker Island and it’s sure to be the filthiest thing you’ve ever seen.

Extract is the latest comedy from Mike Judge. In it, some friends try to get Steve Carrell laid while at the same time planning a mall heist to get money to buy this big shipment of weed from a mob boss, who’s played by Gary Cole. The kicker is, Ron Livingston can’t smoke too much pot, or else he’ll be fired by his boss, who’s played by Gary Cole. The kicker is, Ron Livingston hates his job, and is planning on filming a porno movie with his roommate, Elizabeth Banks, to bring in extra cash. The porno’s called The Kicker, and it’s sure to be the filthiest thing you’ve ever seen.

The Taking of Pelham 1, 2, 3, a remake of the 1974 classic (?) has managed to bring two of my favorite things to the big screen. Public transportation and handlebar mustaches. At this point, fact that it’s John Travolta wearing the mustache and hijacking the subway is icing on the cake.