Tag Archives: television

Lights Out: How Many Boxing Metaphors Can I Cram Into This Review?

You can’t go so far as to say that Patrick “Lights” Leary is washed-up. He bowed out of the sport after losing the heavyweight title, and has spent the five years since then doing interviews, running a failing gym, and letting his brother shuffle around all the money he made so that it doesn’t look like he’s hurting as much as he is. Leary isn’t begging for interviews (although he’s not above hosting the odd bingo tournament here and there) or appearing on ‘Dancing with the Stars.’ He’s not a drunk. He loves his wife and his three daughters and does his best to do right with them. So early in the pilot episode I wondered if maybe the show wasn’t as complex as I was hoping for. Leary’s hurting for money — he’s got the IRS on his back — so there are definitely things he’s hiding from his family, but all things considered, he seems to float pretty close to the surface.

It turns out I was wrong, and what I mistook for being shallow was more akin to a snake, coiled and ready to strike. Leary doesn’t like doing bad things, but his desire to provide for his family overrides all that, and the pilot gives us a small, yet very satisfying, glimpse of that.

I guess I’d be wrong in saying that the desire to be a good husband and father is the only driving force behind Leary. The fight that lost him the heavyweight title five years before was controversial, and the fighter to whom he lost is on TV, asking for a rematch. He left the sport mainly due to his wife, who after the fight told him that if he couldn’t leave the boxing world behind, their marriage was over. Since then, Leary’s had something to prove, although who he has to prove it to is a question Leary himself may not have the answer to.

You may recognize Leary, actor Holt McCallany, as that guy from Fight Club. He also did a stint on ‘CSI’ and a few other shows, but yeah, he’s that guy from Fight Club. And he really brings a sort of childlike fascination to the people and events happening around him. I guess being famous for beating the hell out of people will do that to a person. The ensemble the show surrounds him with does a pretty good job, too. What I like most about Leary’s family is that none of them are boozers, hooked on drugs, or out until all hours of the night fornicating. Well, his oldest daughter is out until all hours of the night. The fornicating thing, we’ll just have to wait and see. All of that could come out in later episodes, it just hasn’t in what I’ve seen so far.

FX hasn’t been doing much in the way of bad TV lately, and judging from its first episode, ‘Lights Out’ looks to be another notch in their belt. Unlike the ill-fated ‘Terriers,’ the show’s commercials are pretty clear on what the show is, so here’s hoping it’ll have that much more staying power. Still, you have to ask what the sell-by date for a show like this is. From what I’ve seen so far, the first season deals with Leary’s comeback into the boxing world. So, he either makes it or he doesn’t… and then what? I definitely don’t see Leary as a saint, but I also don’t see him sinking as deep as Walter White. But wherever the show goes, I can’t wait to see it. Showrunner Warren Leight’s already done such a great job right out of the gate that I’m more than willing to see where he takes us. I guess you could say, ‘Lights Out’ delivers a knock out punch!**

**One. One boxing metaphor.

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It’s Always Sunny, “Charlie Kelly: King of the Rats,” and “The Gang Gets Stranded in the Woods”

“Gatsby believed in the good joke, the kick-in-the-nuts future that year by year recedes before us. It eluded us then, but that’s no matter — tomorrow we will run faster, stretch out our arms farther. … And one fine morning —- So we beat on, boats against the current, borne back ceaselessly into the MEH.”

This altered quote was one of my first brushes with literary depth when I was 13 years old. The Great Gatsby opened the door for a year of reading One flew Over the Cuckoo’s Nest, The Scarlet Letter, Catcher in the Rye, Huck Finn and some accompanying bleak short stories that would reaffirm my cynical world view and remind that I am not the first person to think people are inherently disappointing and terrible. My father had done his best to remind me to cultivate a basic mistrust of people outside our inner circle, but to know that Mark Twain agreed people sucked was a powerful thing.

For some reason, as I sat through a long backlog of recorded shows after the Thanksgiving holiday, the altered quote above kept rushing back. I prefer TV comedy to any other option (sorry zombies, vampires, crime procedurals and Two and a Half Men), but want to have at least 2-3 wow/lolz moments per 30 minutes invested. This can be as simple as a wiener in a mousetrap or as elaborate as hiding $200,000 in a banana stand – just bring the funny.

As low a bar as this sounds, you’d be amazed how often TV fails to reach it. The last two episodes of Sunny left me with a few laughs, but, when combined with the other dross clinging to my DVR, just left feeling like I would spend most of my TV time borne back ceaselessly against the meh.

So, now that I’ve journaled my feelings, let’s look at two exciting episodes of Sunny…together. Two weeks ago, Charlie killed a bunch of rats and went into a depression. I enjoyed his funk because it reminded me of my friend who reminds of Charlie getting depressed, well at least until I felt bad for everyone involved. Anyway, the gang decided they should be nice people and plan him a birthday party – but not really try – and then a bunch of boring crap happened that proved they weren’t really nice, which is totally shocking six seasons in. There was a friend who lives under a bridge and smokes crack and just made me feel dirty about myself who was on screen for awhile and something about a gifted shirt that was quickly returned and replaced for a better shirt. Oh and Charlie and Dee decided to go to a spa together (more on that later.)

It wasn’t bad or anything, but it just never resonated with me. I did laugh out loud when Dee asked Charlie to go to a spa with her. His response: “What is this word ‘spa?’ I feel like you’re starting to say a word but not finishing it. Are you trying to say ‘spa-ghetti?’ Dumb Charlie will always have a special spot in my heart, which is why the end of the episode made me at least end happy.

After an episode of teasing references, we got to see Charlie’s “Dram Bok” (or dream book.) This contained everything that goes on in his head between when he sniffs glue before bed to when he wakes up again the next day with cat food breath. Charlie’s book shows us ridiculous sketches for his denim chicken, teeth bird and worm hat. Sunny has always had the market cornered on denim comedy (remember the work out episode where Dee wears jeans to work out), but the idea of denim chicken really spoke to me. I would like to put one on my desk tomorrow. If you’re a coworker reading this, there are now 19 days until Xmas (Futurama, whaddup!?) Still, the meandering of the rest of episode cannot simply be redeemed by a bunch of teeth glued to a bird or a rat stick.

The next episode was going to be even ZANIER. You see, the commercial said the gang was going to get lost in the woods! Can you imagine those crazy kooks trying to survive a night in the wilderness? How would they find food, shelter and beer (because they like to drink!!!!!)? How would they escape? It’s all so darn zany!

So yeah, my attitude wasn’t the best at this episode and the part in the woods pretty much went how you would expect – except for the bunny. Dee, Frank and Mac decide to capture and kill a bunny, but they soon become convinced it is stealing their souls and grow to love – even worship it. Dee even names him Peter Peter Nickel Eater (which I imagine I will enjoy referencing later around small animals.)

Meanwhile, Dennis and Charlie are paired up to hitchhike to safety away from the wilderness and deliver a pretty good A Plot. I’m too lazy to look back on this, but I feel like it has been way too long since we’ve seen a good Dennis and Charlie pairing. They gave us Day Man – why not keep them around each other more? Anyway, they hitch a ride with a man-loving Tom Sizemore (add cock to his many addictions) who thinks they are “lot lizards.” Their goal is to get to Atlantic City for an animal rights fundraiser Frank donated money to so he could tell off the people running it.

As an aside, sometimes the use of money on this show drives me insane. Are they poor? Do they live off Frank’s riches when needed? Does the bar have customers? Every time I see someone bad with money, I blame TV. I’m not asking for a shot of their bills the way Roseanne did, but at least give me a framework.

Anyway, Dennis and Charlie escape Tom Sizemore and make it to the casino. Dennis convinces Charlie that he needs to start saying yes to life more, and he quickly wins $15,000 in roulette, tries asparagus and delivers a speech to the audience. Then, they get to hang out with their favorite Philadelphia Phillies ballplayers – Chase Utley and Ryan Howard. I was kind of hoping they’d pair up and hit the town for a bit, but the image of them wrestling homoerotically on the floor drunk while the two professionals watch dumb-founded worked for me, too. Before the night ended, they made sure to text photos with the ballplayers back to the gang in the woods to taunt them for missing their heroes.

The episode gave Sizemore one more appearances to pick up the rest of the group in the woods before the credits rolled and then I happily moved on to watch The League and drool over another Archer promo. Maybe I’ll get a chance to review THAT show two weeks too late in the middle of winter. After this handcrafted nearly 1,200 word masterpiece, how could I be asked to stick around and help drive traffic?

The Walking Dead, “Wildfire”: I’m okay!

I spent years working as a substitute teacher, then as a teacher, then as that creepy guy who kept showing up to high school football games, so if there’s one thing I know, it’s high school kids. And I’ve seen my share of kids freak out, start crying, or cuss someone out, because mister, I just can’t deal with this mess today. It’s stupid and I have about zero patience for it, so when Andrea sticks her gun in Rick’s face because he had the audacity to tell her that her dead sister is about to turn into an effing zombie, and they need to put a bullet in her head quick, I found myself grinding my teeth.

But everyone backs off, because hey, she’ll do it! And eventually Amy opens her eyes, takes a few ragged, shallow breaths and begins grasping for Andrea’s BRRAAAAAINNNSSS!1! Andrea says her goodbye’s, cradles her baby sister’s head in her arms, then proceeds to blow it off. Good thing she was wearing protective gear, shooting that Desert Eagle or whatever the hell it was off six inches from her own head.

Like the zombie attack in the episode before it, “Wildfire” was able to get rid of a few useless characters, chief among them the Mexican stereotype and his family. I believe his character was listed as Juan Sanchez-Gomez on IMDB. Of course, the big revelation was that Jim got bit in the attack, and doesn’t have much longer himself. Now, him I will miss. Because one, Andrew Rothenberg is a good actor, and two, I felt Jim actually brought something to the group. His heat stroke induced grave digging, his mindless, “I’m okay. I’m okay. I’m okay.” Every group like this needs at least one crazy person around. But it looks like we’ll have to turn to Shane for that, at least for the foreseeable future. That look on his face as he tracks Rick down the barrel of his shotgun was truly maniacal.

At this point it’s obvious that the Shane/Rick blowout isn’t going to play the same as it did in the comic. It’s a pretty big card to play so I can understand why TPTB would want to hold off on it, but I feel like the story needs to take a bigger leap than it has so far. That may be me fooling myself into thinking ‘The Walking Dead’ is a show that it really isn’t. This is a character drama, but the zombies and blood and guts have me treating it like a genre piece. I may half expect the Smoke Monster to fly out of the woods and kill all the zombies before they can hurt any of the survivors, but it just isn’t gonna happen.

After some tearful goodbyes, everyone jumps in their cars and takes off for the CDC in Atlanta in a nice little driving montage with some great scoring by BSG-alum Bear McCreary. When Jim gets worse, he asks Rick and Shane to be left on the side of the road. His thinking is that, once he becomes a zombie, he’ll be able to be with his family again. I understand that people in zombie movies have never seen zombie movies themselves, but man, Jim’s just an idiot. I know that Jim doesn’t really think he’ll be rejoining his wife and kids, but who would want that for themselves? What sort of weird fulfillment would it bring? My wife and I have already pinky-sworn to kill each other in the event one of us is ever bitten by a zombie, and waste no time getting freaky with the other’s attractive best friends. Double tap. Get freaky. That’s the plan. None of this quasi-spiritual BS about being reunited after being bitten ourselves. That stuff’s for the birds. And by that, I mean the Hitchcock movie.

So Noah Emmerich is the last man in any sort of official capacity who may know what’s going on with things. When Rick and the gang start asking questions about what’s happened, I bet he pops up with some brews and starts talking about high school, just to make sure they don’t notice all the cameras filming them, or how none of them have actually ever left the city. It’s always more realisitic to have characters in these sorts of situations seek out answers when some seriously crazy stuff is going down. We all remember how frustrating things got on ‘Lost,’ when everyone was stuck on this island with Others and polar bears and French women and didn’t really seem to care what it all meant. But, this could also be a serious misstep for the show. Introducing this sort of authority into a show with genre elements (even if the show isn’t necessarily genre itself) is almost always never good. And if they were ever to introduce the president, I think I might tune out entirely just on general principle. We’ll see what secrets are revealed in the finale.

A stunning, sometimes disappointing first season. And it’s all been building toward, what, we’re not really sure. But we can definitely say that we’re going to find out. Yep. We suuure are.

The Walking Dead, “Vatos”: I’m glad that’s over.

I think most will agree that it’s a good thing ‘The Walking Dead’ is taking departures from the comic. It keeps things fresh and exciting, and keeps the fans guessing what’s coming next. So let’s see those new characters. And let’s see that horde of zombies bring God’s swift judgment upon their heads, because man, were they annoying. I mean, I can’t be the only one who thought the last ten minutes of the episode were the best part, can I?

Four episodes in, and I’m still waiting for the show to click. It’s doing so many things well that it hurts that much more when it does things wrong. “Vatos” touched on several ideas that felt like they sounded great in the writers room, but came out half-baked. Let’s take a look. ISSUE THE FIRST: The Mexican gang. These guys would have worked so much better had they been either a straight up gang or just a group of nurses, doing good, helping the sick and afflicted. There’s a really interesting idea that was touched on in “Dirty Hands,” an episode of ‘Battlestar Galactica’s’ third season. And that was, in a post-apocalyptic society, when the job you’re given is usually where your skills are strongest and where you’re needed the most, do you really have any freedom to move around, to eventually do something different? On BSG, you could see these people doing a certain job year after year, and got the sense that their descendants, years and years later, would be doing the exact same thing. On ‘The Walking Dead,’ I thought it would have been much more interesting to see the foundation being laid down for some sort of Canticle-of-Leibowitzesque guild of healers. All the guns and tough talk kind of ruined that.

If, on the other hand, they hadn’t been nurses, but just a group of Crips, it would have brought up questions of how different groups of survivors are beginning to govern themselves. Questions that the comic has raised already, and I imagine the show will eventually. Speaking of the gang, how much cooler would things have been if the leader was played by Ludacris? I imagine it would have gone something like this…

Rick: We came to get our man back.

Luda: I be that ni**a named Luda, A.K.A. L-O-V-A L-O-V-A, f**k that s**t, ni**a what you wan say one time, Southside let’s ride. And if you love what you do, do what you feel. Then I know you gonna mark my words. Y’all drop s**t like birds. Then it’s about the time for yo ass to get served. Just lay it on down. Just lay it on down, while we relax to the tight raps and the phat tracks that that ni**a Timbaland put down.

He was great in Crash. No reason he couldn’t work the same magic here. Anyway. ISSUE THE SECOND. I understand Rick is a tough guy who needs to show his mettle in front of the gang, but can we please stay away from these gruff platitudes about having blood on your hands? Who talks like that? I guess it should also be noted that “Vatos” was written by Robert Kirkman, the creator of the comic. Taking that into account, I feel like the episode would have worked much better in that format. At least it would have given Kirkman a reason to parse down some of the dialogue. It would have made things a lot tighter.

ISSUE THE THIRD. Jim’s “Aha!” moment at the end of the episode. That’s why he was digging all those holes; to bury all the dead people! This one is kind of a cop-out on my part, because I don’t have a really good excuse for why I took issue with it. It just seemed like the show was trying to be a little edgy and ended up falling flat. It’s like in ‘Boardwalk Empire,’ where every character has found an excuse to flip through a popular book that’s somehow thematically tied to the episode. After the fifth or sixth time, it was just like, alright already, we get it. So anyway, there’s that.

It wasn’t all bad, though. One thing the episode did unquestionably well: Killing off half of the survivors. It was necessary. Eventually the group is going to have to move on, and I don’t think it would have served the show very well to keep such a large group around. Although, on the other hand, there was always a pretty big group in ‘Lost.’ You just had a lot of background players who never had any lines. They just hung out, surfed and cooked ribs while Jack, Kate and Sawyer ran around the island, carrying out all their clandestine BS. Although here it seems that everyone is getting their own time to shine. The downside to that being, when a character doesn’t click, or feels like they’re falling a little flat, it’s that much more noticeable, stacked up against the other characters. Case in point, the Mexican guy and his family. After he compared Dale to a village priest, I knew it was time for him to go.

I really feel like the show is almost there. And I’m wondering if, with only a 6-episode first season, it’ll pull a ‘Parks & Recreation’ and really come together when it returns next year. We’ll have to see. We just found out today that Frank Darabont fired the show’s entire writing staff, so who knows how that will affect things next season. We’ll be waiting with baited breath, I’m sure. That, or ‘The Event’ will get really good and we’ll all start watching that instead.

Friday Night Lights, “On the Outside Looking In”: Babies smoke in Texas.

Granted this is only my second review of Friday Night Lights, but it’s just getting tough recognizing each week what a solid show this is and that this will be its last season. Even more tough looking at the ‘this new show looks so terrible, I can’t stop from groaning every single time I see its ridiculous previews” replacements that surely won’t fill the FNL void. But this episode (expectedly) seemed to have more meat to it than the first, now that we’ve gotten through the off-season catching up. While there weren’t any crazy revelations, scandals or football sparkle reels, we did see some dimension and conflict added to a few of our newer, less familiar characters. Conflict like, perhaps, being the outsider…looking in [/callback].

Anywho. To borrow from Superman, East Dillon is starting to look a bit like bizzarro Dillon, where opposite…is opposite. Mrs. Coach Tami Taylor is mega unpopular. Jess is fighting in the girls room and binge drinking. No one knows the name of star running back Luke Cafferty.  Mrs. Billy Riggins is actually acting like a parent. Becky is keeping her emotions in check and acting like an adult (besides missing curfew). And the freshly top-of-the-world East Dillon Lions aren’t even ranked. Normally I’d write off this much change to a show just getting desperate to keep things fresh, keep the ratings up. But the writers have kept the changes close enough to the realm of possibility to make it really interesting. And while I’ve never particularly cared for the Jess and Mindy characters, I was a little surprised to find myself identifying—or at least commiserating—with them through this episode. I’ll be curious to see how the writers play out both of their identity question marks.

The one move that wasn’t so uncharacteristic, unfortunately, was with Vince. Not to delve into the whole race issue—especially race in sports…in Texas—but please, please tell me we’re not being set up for another Smash-type fall from greatness. Back in—what was it, Season 1? Season 2?—Smash was at the top of his game, football had helped him stay off the streets and work toward a better life, letters of interest were coming in. Then he starts juicing. Downhill from there. And with Vince now in a similar situation—East Dillon had a great season, he’s getting some recognition as QB, his relationship with Jess is pretty solid, he’s also getting some collegiate interest—are we really going to see another black kid from the poor side of town get the rug pulled out from under him? Because if they’re busting Luke for rough tackles, does anyone believe they’ll get away with Vince’s mom’s new wink-wink-under-the-table job? Please, for the love, let just one kid keep his head on straight, get the college scholarship and go on to have a successfully football career.

But on a similar note, I continue to appreciate how realistic the scenarios and dialog are in this show. For those who aren’t familiar with Texas football, especially high school football, these same issues of eligibility, drugs, rabid parents/boosters and lawsuits are pulled right out of the local headlines. It makes the show feel real, rather than just pulling from the same old tired football clichés of learning to work together, homecoming rivalries, stealing the QB’s girlfriend, or whatever. And beyond football, kudos to whoever wrote the scene that introduces us to Epic. That snotty, teenage, defeatist attitude and the helplessness of Tami as she watches Epic just walk off campus makes me grind my teeth, flashing back to my time as a substitute teacher. If they’re going to keep this one realistic, though, it had better take the better part of the season, not an episode or two, for Tami to win over Epic.

Questions for pondering:

  • What’s up with Tami’s co-worker enemy all of a sudden turning on a dime to help her out? Ulterior motive?
  • Is it just me or is Julie’s TA kind of a creep? (And by creep I partly mean not a great actor.) He’s got to be married or something, right? I just don’t understand why she can’t get back together with Matt—you can make it work!!!
  • How cute was Coach Taylor relaying the message to his wife that their creepy-looking baby would like mac and cheese for breakfast.
  • Are there any other Parenthood/FNL watchers out there who are kind of getting Vince’s character on Parenthood and his character on FNL mixed up a little? Because I have to sometimes remind myself that he’s not cheating on Jess with Haddie. At least on Parenthood he’s got the evil-Spock goatee to help us tell the two apart.

Boardwalk Empire, “Home”: Let’s burn this mother down!

In the second half of its freshman season, ‘Boardwalk Empire’ may not be the well-oiled machine that ‘Deadwood’ was this far into its run, but it’s getting pretty dern close, and getting better every week. “Home” had a very ‘Sopranos’-like vibe to it, not only in Nucky grappling with childhood baggage, but in that storyline’s ultimate resolution.

After their father has an accident, Nucky and Eli decide that it’s time to get rid of their childhood home. So Nucky gives it to his friend, Damien Flemming, telling him that the house is his so long as he promises to fix the place up. Throughout the episode, we learn a lot more about Nucky’s past and his relationship with his abusive father, and the house serves as a sort of catalyst for all that. Nucky’s always going to have those memories, but as long as he’s looking at his father’s house in its current state of disrepair, he’s able to keep them more or less at arm’s length. But once Damien comes in, cleans the place up, and slaps a fresh coat of paint on the place, it’s opens those wounds all over again, and those memories become more and more vivid. By the time Nucky comes with Margaret’s son, Theodore, come to see the finished product, more or less exactly how it was when Nucky was a kid, it’s not exactly surprising when he douses the whole thing in paint thinner and sets it on fire. At least he was decent enough to give Damien a big wad of cash to buy another house.

The episode also introduced us to Richard Harrow, another veteran Jimmy meets at a hospital while getting a war wound looked at. Harrow was a sniper — I guess they were just called sharpshooters then — who’s had half of his face disfigured and wears a mask to cover it up. There was something about the way actor Jack Huston portrayed the character that was really amazing to watch. It wasn’t exactly a sense of brooding, but a sense that this is a person who, because of his accident, has almost completely separated himself from the rest of society. He’s an outsider, and that really gave his friendship with Jimmy an air of authenticity. In any case, if you haven’t had a chance to see the episode yet (and if not, why are you reading this?), he’s one of the best things about the show so far.

Jimmy gets a lead on Liam, the guy who sliced up Pearl’s face in “Anastasia,” and catches up with him toward the end of the episode. His speech about killing a German soldier during the war provided the hour’s most dramatic scene, made even better by Richard demonstrating his skills and shooting Liam from a hotel window across the street. There’s an interesting directorial flourish here, with the camera zooming in through the bullet hole in the window to a shot of the hotel across the street. I think you can make the argument that it was a little too much for this scene, but I like how the show has kept that Scorsese-esque style in its directing throughout the season so far. I think it works. If anything was over the top, it was the Phantom of the Opera theme they played over Marrow’s exit from the hotel room. I mean, on-the-nose much?

We’ve known that things between Nucky in AC and Arnold Rothstein in New York were always going to come to a head, and that’s really starting to pick up now in the season’s back half. After trying to set up a new bootlegging business with Chalky (which Chalky thinks is Nucky testing him and rejects), Meyer Lansky and Lucky Luciano approach the D’Alessio brothers with the same offer, telling them that they can knock over one of Nucky’s casinos and use that as start-up cash, which they quickly agree too. So, for you Philistines who don’t get off on good dialogue and conversation pieces, fear not. There’s some good bang bang shoot ’em up action headed your way.

Terriers, “Pimp Daddy”: Tranny fierce!

I find that taking a recovering alcoholic who’s already in sort of a dark place emotionally, then pushing him completely over the edge is usually a recipe for success. So, in the case of Hank Dalworth, I see everything comin’ up aces!

“Pimp Daddy,” like “Agua Caliente,” kept Hank and Britt separate, each doing their own thing. Britt finds himself helping a transsexual hooker look for a missing friend, while Hank is unconsciously trying to derail his ex-wife’s wedding. And it turns out Hank was right/wrong to do a little checking up on Gretchen’s new beau, as it turns out his parents raped like, a million kids, and there’s a slight possibility he had something to do with it. I can understand that Hank still has feelings for Gretchen, but I’m not completely sold on him living out some unsavory fantasy in which he wins her back. There’s something about that that seems a little too pie in the sky for a guy like Hank. I just don’t think he’d buy into it.

And besides, while it is a little much for Hank to presume that Gretchen is some wilting flower who needs him to watch out for her, I think their entire argument at the end of episode says a lot more about her than it does him. I mean, Jason was involved in some pretty messed up stuff, and Gretchen’s okay with it. Okay. She thinks he’s innocent. Fair enough. But still. If someone came out and told me something like that on our second date, I’m not so sure we’d ever make it to a third. And by third I mean third base, which I make it a point to get to on the first date. So you could see how awkward things might get. Anyway, I’m taking bets on how quickly Hank tries drowning his sorrows in a brown bottle. Before leaving Gretchen’s office, he made some douchey comment about it maybe being a good thing that they couldn’t have kids. So you know the anger’s already there. The self pity will soon follow and then after that all he’ll need is the booze. Although, if he did regress, it’d be half understandable. Wrong or not, Hank did what he did because he still loves Gretchen. And having the entire thing thrown back in his face, along with Gretch bringing the hammer down on whatever was left of their relationship has to be a tough thing to get through. How will it all play out? Stay tuned.

This episode’s case of the week seemed to come up much more naturally than it has in episodes past. And that case leading to another didn’t feel nearly as clunky as it could have, or even as similar cases have felt earlier in the season. And I have to say that there was something refreshing about everything working out for Britt. This isn’t a problem exclusive to ‘Terriers,’ but most of the time you can’t have a story like this without a gun going off and a car chase. So, Britt meeting this (wo)man, who didn’t try scamming him, finding the person they were looking for and bringing some closure to his parents was a nice change of pace. These last two episodes have really made Britt out to be the son who’s finally becoming a man, making something of himself. And we’re all so proud, aren’t we?

But not is well in Britt’s world. He found Katie throwing out a pregnancy test. And as Katie later confessed to Hank, she is pregnant, but there’s a chance Britt isn’t the father, and isn’t that just a kick in the soft stuff. Katie’s afforded a small respite from the stormy that are her woman’s emotions, as Britt proposes! That great news, and it’s about time these crazy kids finally get together. But let’s not tell Hank juuust yet. He’s having kind of a bad afternoon.